Iran's film culture has been transformed since the Islamic revolution: from the state propaganda films to today's socially critical productions. We take a look at the various facets and examine its resonance in the West.
It's not that long since Iranian cinema was famous for its innovation, winning international prizes across the board. But now the buzz about the Iranian film industry has died down, both in the West and in the Islamic Republic itself. Amin Farzanefar considers the state of Iranian film past and present
"It used to be that religious figures enjoyed a special place in the hearts of Iranians, otherwise the revolution would never have taken place," recalls the popular Iranian filmmaker Kamal Tabrizi. "Yet, today this trust has been undermined." Charlotte Wiedemann met with this uncompromising film director
For years, Iranian films have been regarded as a hot tip at the Berlin International Film Festival. This time as well, an Iranian production has managed to convince the Berlinale jury. Asghar Farhadi's gripping social drama "About Elly" was awarded the Silver Bear for best director. By Ariana Mirza
With his fourth film, Kurdish director Bahman Ghobadi oversteps the boundaries of social realism he so carefully defined in his debut, "A Time for Drunken Horses." Amin Farzanefar informs
In the last few years, Iranian popular cinema has become a bastion of civil opposition with a number of cheeky comedies. A new film, "The Outcasts" by Masud Dehnamaki, takes a particularly sensitive issue as the butt of its jokes: the Iran-Iraq war. By Amin Farzanefar
The Iranian film "Offside" is about a group of girl soccer fans who smuggle themselves into Tehran's Azadi Stadium, despite the ban on women spectators. Ariana Mirza presents Offside and its director Jafar Panahi
Marjane Satrapi's graphic novel "Persepolis", about her childhood in Iran and growing up in Europe, made her world famous. The film version is banned in Iran but now showing in cinemas across the globe. Petra Tabeling reports
In her new documentary film, renowned director Rakhshan Bani-Etemad examines discrimination and legally disadvantaged position of Iranian women and highlights new forms of resistance to the political pressures in the Islamic Republic. By Alessandro Topa
Her work has been a constant tightrope walk between tradition and emancipation, between freedom and censorship. The Iranian director Tahmineh Milani talks about women directors, their mission, and cinema
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Known as an expert on Islam and Islamic art, in his book Titus Burckhardt presents in-depth analyses of seminal examples of Islamic architecture, from Spain and Morocco to Persia and India. Click here to have a look at an extensive excerpt...
Fadhil Al-Azzawi's novel The Last of the Angels, set in the northern Iraqi city of Kirkuk during the 1950s, was recently published in English. Read the excerpt chapter "Hameed Nylon" on Words Without Borders...